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We're all a little bit too hard on ourselves. You can assist by. Wash the shower next?

In the middle of the game, he gained a blue check mark and became verified on twitter! The New Rolling Stone Album Guide: Completely Revised and Updated 4th Edition. Retrieved 4 January 2014.



Every so often, there comes a song that instantly captures the attention of everyone within earshot; a song so powerfully catchy and mesmerizing, that it holds its audience hostage from start to finish; a song that one cannot help but listen to on repeat. After leaving New York for Los Angeles and risking everything in the process, and , who together comprise musical duo The Score, made that song. In short, the past few months have been a whirlwind of adventure for Eddie and Edan — but the real adventure is only just beginning. Atwood Magazine met with Eddie and Edan last week, just days before their EP release, to dig deeper into the indie pop duo as individuals and learn all that we could about this hot artist on the rise! What does it feel like to be back in this city? Edan: Yeah, it feels great to be back in New York, having come full circle in the past year. Where were you a year ago? Eddie: A year ago, we had just left New York to go to LA. Edan: Yeah, literally a year ago from now! Eddie: We were doing well in New York — like, we were playing Rockwood all the time, packing the main room and stuff, but we really wanted to step it up a notch and really try to make it, and everything was out in LA. Eddie: All of our music friends, like a lot of other writers and producers, had all moved to LA. There was a mass exodus in the past three years, and we were one of the last ones on that train. We were working really hard all the time, we had just released two EPs independently and we got a little bit of traction from those — you know, little things like in-store play from Abercrombie and Hollister. Eddie: We were a finalist, or second-place for the. You have quite the repertoire - it's like a whole different band beforehand. Edan: Yeah, and I think that happens a lot, because artists need to go through that critical development time. There was a period of time when we were just doing covers. We put a lot of time and effort into them and we got our initial audience through YouTube. It was a great way to build that first audience base. Edan: And it was great. Not only the process of recording and producing everything, but also learning from the great songs and the songwriters who wrote these great songs. If you recreate them, you internalize the melodies and chord progressions a little better. I think that was also a good education for us. What makes The Score different? Eddie: I think we try to make every song a single. Edan: Not because radio is the endgame, but because writing universally anthemic, relatable choruses and melodies that just — we want people to feel uplifted; we want people to listen to the songs and feel better. Why the name 'The Score' - what do you want people to think of when they hear your name? Edan: When we came across that name, it just seemed to fit so well, so we stuck with it. Eddie: It was just bad — we had a show coming up, and that name sounded pretty good so we used that. You're signed to Republic Records alongside a number of other acts who gained their initial momentum and ascent independently through streaming music. What does this signing mean to you? How has that been for you? Have you received anything really special that stood out? Eddie: A lot of weddings. Onto the music: Is there any structure to how you write your songs? Edan: Yeah — I mean, our roles are kind of different. It goes straight from demo to record. What was the hardest song for you to write off of your EP? Out of those four songs, that might have been the most difficult one to nail down. We had to push the production in that direction to really do justice to the song. When we finally figured it out, it worked — it sounded great. Usually what you hear on our final records is how it sounded from the very beginning. What role does repetition play in your music? Edan: Oh, we love repetition! Edan: When we write, our method of writing is the path of least resistance. The best way to do that is to just let it flow and not be too critical of yourself. Repetition is always a place we go, because it just works: People want to hear a verse sung the same way the second time as the first time, they want to hear that hook multiple times. What has been your biggest challenge to overcome so far? Our home has been pretty much a studio, so now is the first time that we get to venture out to start touring and playing out. I think right now, trying to match our live set to our recordings is probably the toughest thing. Eddie: Our older acoustic pop songs — those are really easy to do live. You were saying earlier that you look to songwriters as your influences. For you as musicians, what are your goals? Eddie: I think the goals of our songs are to have a universal appeal. Hopefully it translates well here. We want to be like Ryan Tedder; we want to be like those guys. Edan: So, I used to study jazz piano. I would hole myself up in a practice room for five hours a day, practicing, and yeah — within my little community of the Jazz Department at NYU, they would care, but if I showed my friends what I was up to — like, the music I was writing or playing at the time, they really could not relate to it. It was hard for them to tap into. With pop songwriting, we tap into a world that so many more people relate with, and we can touch so many more people. So we want write those songs that make that connection with as many people as possible. If your music is universally understood, what are those themes that you want people to be getting out of it? We just had moved to LA, we packed up all of our bags, we left our friends and family back behind, and we were taking this risk, so I think we wanted to instill confidence in ourselves. That was the basis for that song — it was fun to do; the turnaround was pretty quick on that song. Edan: I love that song. Where do you run? Where do you run when no one can hear you? It could be anything. Since you're the producer as well, what's the biggest moment out of the production that affects you? Edan: Dude, there are so many little things that get me excited! We can go song-by-song. Edan: Oh shit — yeah, I like that lyric too! Edan: What are the exact words for that? But is that The Score? Edan: I guess not — I mean, who knows where our songwriting will take us in the future. Do you believe, as artists, that you have a social responsibility that goes beyond delivering music? Eddie: Yeah, I think that music gives you a platform to reach out to people in other ways aside from the music. And that's just starting for you guys. What are you most looking forward to over the next year? And it has been the entire time; you've been riding this for a little while. Are you sick of it yet? Edan: Apparently everybody in the UK knows the song! They know the song — the lyrics and everything! That's such a surreal experience. Can you think of a song you would want to bring back? That would be a cool experiment — to jump in and try redoing that song today, and to take all the new influences and the new things that we do, and bring them into that song. It would definitely come out pretty cool. Any last words for your fans out there? Edan: We need a name for our fans. Eddie: Oh yeah, that was on Twitter also. What's the inappropriate one? Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing.

Any last words for your fans out there. Retrieved 25 September 2015. Eddie: Yeah, I think that music gives you a platform to reach out to people in other ways aside from the music. Without being sanctimonious, The The score band albums paints the ghetto as a solo landscape, one that can inspire pride as well as sorrow. Eddie: Our older acoustic pop songs — those are really easy to do live. With pop songwriting, we tap into a world that so many more people relate with, and we can touch so many more people. So we prime write those songs that make that connection with as many people as possible. Where were you a year ago. The song also appeared in the 2015 film. In the US the song was the least successful of all the singles from the album, only peaking at number 34 on the Social Top 40 chart. In 1998, the album was included in 's 100 best rap albums list, and in 2003, it was ranked number 477 on magazine's list of.